Friday, May 31, 2019

The Death of the ‘Authorlessness Theory’? Essay -- Essays Papers

The Death of the germlessness Theory? Lets face it. Can one fully buy into Roland Barthes claim that The birth of the endorser must be at the cost of the death of the Author? (172). Even if it is language which speaks, not the author (168), an author is responsible for the creation of a anomalous sequence of words in a novel, a poem or an article. The brookvas on which freeplaying signifiers paint themselves seems so vast to Barthes that the writer can entirely imitate a gesture that is always anterior, never original (170). His claim, when taken at face value, is equivalent to saying that since paint exists, there can be no Painter. But it would be a faux pas give his idea such a nave readinga reading strictly have a bun in the oven to written texts. When applied to projects such as Group art, music and film, his theory gains greater validity. Three such works that illustrate the complexities of authorship are Judy gelts The dinner party troupe (1979), Gra m Parsons second solo album, Grievous Angel (1974), and the 1939 MGM film version of The Wizard of Oz. Adding to Barthes idea proposed in The Death of the Author will be discussions of Michel Foucaults What is the Author? and Andrew Sarris auteur theory to understand the complexities of claiming authorship. These examples will show that the Author is a construct that might not disappear as quickly as Barthes and Foucault had anticipated. A discussion of The Dinner Party group project is an excellent starting point to explore definitions of The Author and authority. First, to what extent can fine art be authored (or rather, can a non-text be authored)? Second, who should receive credit? A simple dictionary definition of author will contain ... ...e of MGMand the Miracle of Production 1060. Special 60th Ann. ed. New York Hyperion, 1998. Jones, Amelia. Sexual Politics Feminist Strategies, Feminist Conflicts, Feminist Histories. Sexual Politics Judy Chicagos Din ner Party in Feminist Art History. Ed. Amelia Jones. Berkeley University of California Press, 1996. 20-38. - - - . The Sexual Politics of The Dinner Party A Critical Context. Sexual Politics Judy Chicagos Dinner Party in Feminist Art History. Ed. Amelia Jones. Berkeley University of California Press, 1996. 82-118. MacDonald, Ian. Revolution in the Head The Beatles Records and the Sixties. Rev. ed. London Pimlico, 1998. Rushdie, Salman. The Wizard of Oz. London BFI Publishing, 1992. Sarris, Andrew. The American Cinema Directors and Directions 1929-1968. New York Da Capo Press, 1996.

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